THE DIVA MONUMENTA This beautiful image looks to all the world like an instantaneous silver sculpture frozen in time forever. It shows Elliott's relentlessness in pioneering new visual forms, unique to his respective chosen media. The image went through a staggering 57 versions and Elliott even had to print it 29 times to get it up to his critical levels of perfection. The artist's proofs all get trashed, by the way. Elliott doesn't allow them. Again the trademark colour is much in evidence and calls to mind the palette used in 'Kiss On Frosted Glass'.