THE WHITE LADY Elliott's photography of beautiful women runs the whole gamut of emotions from icons of innocence to the more secular glamour he now creates. Described by one editor as "The kind of deceptively simple shot most photographers would mess up by using the wrong girl." The artist held his tongue and smiled, as that is exactly what the young neophyte Elliott had done himself, five years earlier. It takes an experienced eye to select a photogenic model or a perfect profile. Elliott learned the hard way and being massively self-critical, reshot the piece before anyone saw it. Exquisite lighting.